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Art --- anno 500-1499 --- Europe --- Europa --- Geschiedenis van de Middeleeuwen --- Histoire du Moyen Age --- Art, Medieval --- Christian art and symbolism --- Art médiéval --- Art et symbolisme chrétiens --- Congresses --- History --- Congrès --- Histoire --- Conferences - Meetings --- Art médiéval --- Art et symbolisme chrétiens --- Congrès --- symbolism [artistic concept] --- Medieval [European] --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Congresses. --- Symbolism in art
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Christian art and symbolism --- Exhibitions --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Orthodox Eastern Church --- In art --- Art [Romanian ] --- 17th century --- Catalogs --- Symbolism in art --- Christian religion --- Art --- religious art --- Orthodox Eastern --- National Museum of Art of Romania [Bucharest] --- anno 1600-1699 --- Romania --- Christian art and symbolism - Romania - Modern period, 1500- - Exhibitions.
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Hommage de Catheline Périer-d'Ieteren
Glass painting and staining --- Christian art and symbolism --- Vitraux --- Art et symbolisme chrétiens --- Bemden, Yvette vanden. --- Art et symbolisme chrétiens --- Glass, Stained --- Painted glass --- Stained glass --- Decoration and ornament --- Glass, Ornamental --- Glass art --- Glass craft --- Painting --- Glass, Colored --- Stained glass industry --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Symbolism in art --- Bemden, Yvette vanden --- Glass painting and staining - Belgium --- Christian art and symbolism - Belgium - Modern period, 1500 --- -Glass painting and staining
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Christian antiquities --- Art, Early Christian --- Christian art and symbolism --- Christian inscriptions --- Inscriptions, Latin --- 902:28 --- 27 <082> --- Inscriptions, Christian --- Inscriptions --- Latin inscriptions --- Latin language --- Latin philology --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Church decoration and ornament --- Antiquities, Christian --- Antiquities, Ecclesiastical --- Archaeology, Christian --- Christian archaeology --- Church antiquities --- Ecclesiastical antiquities --- Monumental theology --- Antiquities --- Byzantine antiquities --- Early Christian art --- Christelijke archeologie --- Kerkgeschiedenis--Feestbundels. Festschriften --- 902:28 Christelijke archeologie --- Religious art --- Christian antiquities. --- Christian art and symbolism. --- Symbolism in art
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Federico Borromeo, Cardinal-Archbishop of Milan (1564–1631), is well known as a leading Catholic reformer and as the founder of the Ambrosiana library, art collection, and academy in that city. Less known is the fact that the institution's art museum was the culmination of many decades of reflection on the aesthetic qualities and religious roles of art. Borromeo recorded his reflections in two treatises. De pictura sacra (Sacred Painting, 1624) laid out the rules that artists should follow when creating religious art. Borromeo touched on dozens of iconographical issues and in so doing drew on his deep knowledge not only of church fathers, councils, and scripture but also of classical art and literature. In Musaeum (1625) Borromeo showed a less doctrinaire and more personal side by walking the reader through the Ambrosiana and commenting on specific works in his collection. He offered some of the earliest and most important critiques to survive on works by artists such as Leonardo, Titian, and Jan Brueghel the Elder. This volume offers, for the first time, translations of the treatises directly into English as well as freshly edited Latin texts, an introduction, extensive notes, and an appendix on the Academy of Design that was established in conjunction with the museum.
History --- Christian religion --- art theory --- Neo-Latin literature --- Art --- Borromeo, Federico --- Christian art and symbolism --- Christianity and art --- Painting --- Art et symbolisme chrétiens --- Christianisme et art --- Peinture --- Early works to 1800. --- Catholic Church --- Ouvrages avant 1800 --- Eglise catholique --- Pinacoteca ambrosiana (Milan, Italy) --- Art et symbolisme chrétiens --- Art and Christianity --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Milan. --- Ambrosiana Gallery (Milan, Italy) --- Symbolism in art --- 18.48 Neo-Latin literature. --- Art theory. --- Art, Renaissance. --- Christian art and symbolism. --- Christliche Kunst. --- Kristen konst och symbolik --- Kristendom och konst --- Kunst. --- Malerei. --- Målarkonst --- Painting. --- Religiöse Kunst. --- Ästhetik. --- Catholic Church. --- Romersk-katolska kyrkan --- Borromeo, Federico, --- Pinacoteca Ambrosiana Mailand. --- Pinacoteca ambrosiana (Milan, Italy). --- Christian art and symbolism - Early works to 1800 --- Christianity and art - Catholic Church - Early works to 1800 --- Painting - Early works to 1800
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Based upon the conference Rome in a Global World: Visual Cultures During the Carolingian Transition (Brno, 14th–15th October 2019), this Supplementum volume of Convivium collects eleven articles that look at Rome’s artistic production in the Carolingian era across historiographical, disciplinary, methodological and geopolitical borders.
Church architecture --- Architecture, Medieval --- Mural painting and decoration, Carolingian --- Mosaics, Carolingian --- Illumination of books and manuscripts, Carolingian --- Rome (Italy) --- Italy --- Church history --- History --- Art --- Christian art and symbolism --- Religious architecture --- Spiritual architecture --- Architecture --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Italia --- Italian Republic (1946- ) --- Italianska republika --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Italie --- Italien --- Italii︠a︡ --- Italii︠a︡ Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliyā --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia (1861-1946) --- Repubblica italiana (1946- ) --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Ιταλική Δημοκρατία --- Ιταλία --- Итальянская Республика --- Италианска република --- Италия --- Италия Республикаси --- Італьянская Рэспубліка --- Італія --- Італійська Республіка --- איטאליע --- איטליה --- רפובליקה האיטלקית --- إيطاليا --- جمهورية الإيطالية --- イタリア --- イタリア共和国 --- 意大利 --- 意大利共和国 --- 이탈리아 --- 이탈리아 공화국 --- Sardinia (Italy) --- Rome (Italy : Comune) --- Rome (Italy : Governatorato) --- Rūmah (Italy) --- Roma (Italy) --- Rom (Italy) --- Rím (Italy) --- Rzym (Italy) --- Comune di Roma (Italy) --- Rome --- 945.02 --- 945.02 Geschiedenis van Italië: Frankische koningen en keizers--(774-961) --- Geschiedenis van Italië: Frankische koningen en keizers--(774-961)
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